Dominique Laurent, Pinok Et Matho Rar. A time capsule is a gift from a past to a future - which means it represents both the future and the past simultaneously.

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Et The Extra Terrestrial 2x Vinyl Lot 12 Picture Disc And Ost Lp Remastered New. Nm Dominique Laurent, Pinok Et Matho Fantasmusic Experimental French Private Lp. Umbra Et Imago - Die Unsterblichen-das Zweite Buch +cd 2 Vinyl Lp+cd New+. Dominique Laurent, Pinok Et Matho - L'Appel de la Terre. #am okonkole y trompa. Stephen Encinas - Lypso Illusion. @oskar the good tunes, #am & #pm. Sterac - Sitting On Clouds. An other excerpt from the album The Secret Life Of Machines More. Johannes Heil - Product Of Dealing. Johannes Heil - Anti Gravity Pt.

Between the early 60's and mid 90's there's been 3 main shows for kids on japanese TV: 'Oka san no isho', 'Pin pon pan' and 'Romper room' (japanese version of the american show).Typically these shows featured 2 animators, a clown type man and a kawaii loving late 20's woman, and a bunch of kids invited for every shows. The shows featured learning games and songs - songs composed and arranged by some great japanese anime composers (Nobuyoshi Koshibe, Mouroi Makoto, Misawa Goh.).First, here's a 6 tracks 45t of 1974 from the 'Oka san to isho' show.-Get. Formed in the early 70's by british composer and commonly known as 'World's Worst Orchestra'.It first included students from the Portsmouth School of Art but anyone could join regardless of their musical skills.The band was a combination of non musical talents and comprised of well known music talents too such as Brian Eno (a close Gavin Bryars collaborator with whom he released experimental music's pillar record, 'Discreet Music' in 1976).Strangely it became extremely popular & a real music phenomenon till the early 80's. For all the many tracks sung by little kids in too cute high pitch voices, this will forever remain my gristly little favourite. Culled from the Miniatures compilation (1980 Cherry Red), this is Neil Innes (Monty Python / Bonzo Dog Doo-Dah Band)and his then six year old son, doing the most vicious interpretation of Slade's 'Cum On Feel The Noize' I've ever heard - Girls stab the boys!.More quintessential Englishness, the joys of Sir John Betjeman. Some cad of a producer decided to pair the then Poet Laureate up with arranger Jim Parker in the mid-70s, a move that could've gone so wrong, and ended up gemlike.

Dominique Laurent Pinoy Et Matho Rare

Lust, approaching old age, and postwar England, wrapped in gloriously appropriate accompaniment and paced like a dream.a tale of prepubescent love for his 'bosom boyfriend'Betjeman on bitumen, extolling virtues of tarmac - 'Oh smother me in viscous bitumen!' .Finally, a couple of tracks from Doggerel Bank's 1975 album Mister Skillicorn Dances, another record worked on by Jim Parker, and in a happy circle, released on Charisma Records, who also released the Pythons. Delightful spoken-word, London-centric eccentricity.

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Obscure 10' from the 80s found in Tokyo among the tiny record stocks ofNo other informations than a few credits, mentionning Kato Ryosuke: composition / Totoko Kakizawa / Nishihata Yuki & Katakuriko: vocals / Yamaguchi Morimitsu & Kato Ryosuke: lyricsAlthough it was probably produced in studio, it sounds quite typical from a certain production of that time (homemade orchestrations involving toys, keyboards, cheap acoustic or electronic instruments.) made easier by the developpement of hometaping and the success among musicians of the first domestic multitrack recorders. Azam Khan emerged from the Liberation War of Bangladesh of 1971, as a freedom fighter turned pop star. Lanky and bearded like all the best revolutionaries, he became one of the first Bangla pop heroes, first with his band Uchcharon, and later as a solo artist. With few real concert venues, the band swiftly rose from playing hotel ballrooms and university lecture halls to being broadcast on Bangladesh television in 1972.In a string of super awesome pop songs, his lyrics blended the socio-political tumult of post-war Bangladesh with simpler themes of love and family, and he quickly became one of those much loved musicians adopted by pretty much everyone, old and young. He's now affectionately referred to by his fans simply as 'guru'.Three tracks from his heyday, late 70s. Rough translations follow the titles below, in brackets.(Life is full)(I am coming, coming (but not coming yet))(The emotional person). Among all the amazing 7's offered through the years by the fantastic, one always struck me for its unique merge of traditionnal folkloric elements with a typical 80's studio production (snare drum!

Chorus guitar!) and a sense of groove that makes it sound almost funky and obsessive like a crazy roundabout.Song title Kawachi ondo de yoru wo bouttobase may be translated more or less as 'Our night will be short thanks to the rhythm of Kawachi', Kawachi being an area close to Osaka, and various areas having different songs to dance on to celebrate.Obon matsuri is, among all the celebrations, the one dedicated to honour the dead, around August 15th (sometimes July, depending on places). Well, a joyfull one, according to the track.As a last word, I noticed the main element of this traditionnal song was reincorporated by the band (Andrew Sharpley and Emiko Ota, who also performs in a more traditionnal percussion project Heiwa Daiko) in their track Testing time.Those curious about a collaged punk meets digital cutups version are invited visit to have a look at the Bootleg LP it is extract from (and may have a here too).Many thanks to Kishino-san for this beloved present, and to Mami Chan for kind translation and infos.